NYAC | 3min Read

Borders

Published on May 7, 2026

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Borders

Borders

Long before Booktok writers invented their striking fae characters, before

Tolkien created Lord of The Rings, before mythologists wrote of naiads and

mermaids, before Coleridge and Wordsworth began their search for the

supernatural through their verse, there was a border.

They say no pirate dared dock their ships from the border’s harbour, no soldier

thought twice before backing away and taking the longer route around, no king

dreamed of fortifying territories five miles within the boundary.

What they don’t mention is how most writers couldn’t bear being so

pain-stakingly close to magic and not witnessing it, so they tip-toed out at

twilight, because no fear of banishment or death-sentences could crush the

hunger for knowledge. They watched till the sun rose, but no amount of

metaphors could capture the fluttering of the fairies’ wings or calls of sirens.

They don’t mention how no artist could sleep without copying the exact

patterns of the mermaids’ scales, because no fear of the supernatural could

suppress the passion for their craft. They sat cross-legged on the border,

ignorant of the shiny burns that scarred their calves, but no amount of acrylics

and oils could grasp the essence of this wonderland.

They don’t mention how no dancer was satiated without watching the dryads

perform, without replicating their steps and graceful gestures, for no fear of

punishment and retribution could stop them from attaining perfection. They

spent hours mirroring the same step again and again, but no amount of

practice could battle with the nymphs’ other-worldly charm.

In honour of the valiant efforts of these craftsmen, who revered and cherished

the magic of the other side, whose arts were meaningless without this fountainof inspiration, the border was cast away. Slowly, but surely, the two worlds

merged. Magic started seeping into the mundane, natural and supernatural

existed in wonderful coalescence, reality and mysticism worked in perfect

synchronisation.

You don’t believe me, you say? What about the blood of fairies that can be seen

in ballerinas who hover mid-air, in the seven-year-old who never breaks a

promise? Can’t you see the descendants of dryads in hikers who never trip over

roots, the suburban grandmother who knows exactly which berries are

poisonous and which aren’t, poets who seek comfort in the forest? The blood of

mermaids in Olympic swimmers who cut through water like it’s second nature,

in powerful rowers who’d rather fall off the boat than lose the race. The blood of

shapeshifters in actors who slip from villain to hero with disarming ease, in

friends who blend into every crowd. Blood of centaurs in soldiers who leave

their families in honour of their country, without knowing if they’ll see them

again, in the five-year-old who’d rather take a scolding than lie, in professors

who enforce discipline and love in equal measure to their children.

This is where we are, teetering on the cusp of normal and paranormal, on the

border of magic and reality, sometimes, leaning into the other side for a

moment too long.

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